Iraq in fragments
Michael J. Totten has a powerful essay in Commentary Magazine, a film review of James Longley's documentary Iraq in Fragments : Most recent documentaries filmed in Iraq can be fairly categorized as liberal or conservative. All are about the war, and most are cinematic equivalents of op-eds. James Longley’s lush and intimate Iraq in Fragments is different. While the director appears to be some kind of liberal or leftist, his film is refreshingly none of the above. Iraq in Fragmentsis about the war only insomuch as it was shot in Iraq during the war. This film is a collection of portraits of Iraqis, not Americans or the American military. And unlike almost any other documentary out there, Longley’s includes the Kurds.The director is invisible. We never see him or hear him, and he uses his camera as though he were shooting a fictional film. This is emphatically not the kind of documentary you’re accustomed to seeing. Longley’s camera and editing work are so stylish and deft that the e